Nachash: Seed of the Serpent in Genesis

We’re going to be taking a little bit of a ride on this one. It’s not just some of your ancient records that are telling you that batteries of extremely strange things—you know, the human body is almost like a biological spacesuit—but that strange things have occurred on this planet. It’s the Enuma Elish; right here is certainly talking a lot of demonic things from another realm all the way back to the very beginning. Look at the head on that thing, and not only that, there’s been a lot of sacrifice; in fact, child sacrifice. Something about the blood, particularly the blood of the innocent, and the drinking of the blood goes all the way back to the altars of Baal, Tammuz, Pan, and Enkidu. Now, Pan is the little goat god with the horns on his head. You find that strange? I’m sitting here looking at the Enuma Elish; it’s almost like a dimensional thing that operates from some other realm right through the mind, that they’re describing in many instances, like it wants to birth some kind of—I don’t know—like a race inside of an array. That’s DNA right there, the software of life. What’s fascinating is whatever these things are, they’ve been talking about doing that since the very beginning. All right, I’m going to read to you the text of the Enuma Elish right here. The Enuma Elish, the wisest of the wise, the sage of gods. Bell—that’s Baal—was conceived in Abzu. Abzu was Marduk, the god Marduk.

The Marduk born—this right here on the screen—this is Marduk, and Bel, Beelzebub means Lord. Here’s Marduk again, but in the stream of Marduk, this bloodline dropping down from Ham, Cush, Nimrod; of course, Nimrod had a very wicked son named Mar-dun—maybe that’s Marduk—but this bloodline right here. And what occult story would be complete without our ancient Madonnas, our sirens, our screech owls, like Ishtar with the two owls on the side right here, or Inanna, the first Madonna of all Earth, hailing forth the first Antichrist, which of course would be Nimrod. And she’s holding captive, by the, you know, was a lion right there, or the serpent spiraling its way up, the ancient legend of Lilith. But in these stones, the Enuma Elish, at the very top is the Tiamat, the serpent from which we find a lot of alien-looking characters. In fact, she states she birthed the monsters and the demons. On Tablet 3 of the Enuma Elish, we have the Tiamat, who is the serpent god, the creator serpent goddess at the very top; the mother goddess is the serpent god. Beneath her, Anshar, the great-grandson to the great serpent god; in fact, right here on Tablet 3, Anshar opened his mouth and unto Gaga—wow, are these names sounding familiar?—unto Gaga, his minister or ministress, he spake the word: “O Gaga, thou minister that rejoiceth my spirit…” Almost tickling the soft spot, Gaga, on the belly of the snake. Let me welcome you to part two of the God in a Nutshell. Genesis… set… he’s really, he’s really or awfully—it’s strange elongated heads, aren’t they? They really are sort of alien-looking. Now, on the Enuma Elish, where the serpent is the creator god, this is one of the oldest creation accounts—occult creation accounts—in the world. It says here, “With poison instead of blood, she,” the serpent, “filled their bodies. Fierce monsters, she clothed them with terror.

With poison instead of blood, she filled their bodies.” Does that sound familiar? This comes from the holy Basilica right here, of course, Basilica, Basilisk—now, that’s a serpent-like, a crowned serpent, isn’t it? And serpents, they lay eggs. These come from ritual temples, giant ritual temples, where they would do human sacrifice. Human sacrifice… You know, I had a friend tell me a strange thing one time; he told me his belief that pre-flood items, pre-flood artifacts, many still around today that nobody knows about, were the most valuable artifacts on Earth, kind of artifacts kept in the palaces of kings. That being said, it does sort of make one wonder if those garments from the garden of God, maybe those are still around even to this very day. This is the part two of the Genesis study; the last section was “Garments from the Garden of God.” This is going to be a full presentation, a full documentary film, just for YouTube, Facebook, wherever you may be watching this, over at gardeningathell.com. Not only do we have—and I appreciate every one of you that gets copies of the God in a Nutshell books—you’re not only helping support us, but they do look absolutely stunning on a coffee table; they’re fully illustrated, it’s a series, a set of three books. The full version of “Garments from the Garden of God” is available for immediate streaming. We also have “Entities” part one and part two, both full-length documentaries. If you have not seen the full-length in, you need to watch the full-length of “Entities,” actually both of them. Even if you’ve watched them before, watch them again; that’s a heck of a ride. And a special thanks to the members of the Roosevelt family who are here, and the one who is not.

Eleanor, that’s a real demon face with shifty eyes looking into a camera right there. The face should not be there; it causes—all of you famously learned, “When I served as president, my wife, now the Secretary of State, was known to commune with Eleanor on a regular basis, and so she called me last night on her way home from Peru to remind me to say that Eleanor had talked to her and reminded her that I should say that…” Are you there now? I’m just going to lay this out there: Eleanor Roosevelt actually died in 1962. Here’s the good news: I’m glad to hear that she’s still periodically making it down to Peru, and more than that, coincidentally, that’s where it’s like these come from. I think you’re going to love the way this thing ends. And taking that just a pinch further, we also have a film called “Tablets of Destiny” up there, and I want to talk about these weird heads. I want to thank every single one of you that have supported us in any possible way; we thank you for that. The stuff does sort of look cool, doesn’t it? All right, let’s do this. Let’s get into the film now. Speaking of ancient garments—and I’m not a fashion guy, I mean normally I’m not—but look at our ancient, and then our ancient Madonna here. Boy, she’s striking a pose, and probably getting to it, not right there. That’s not just a high heel; that right there looks like a Hollywood Boulevard “Pretty Woman” boots all day long. She could strut the block of any ancient temple. Over here, we have Ishtar. Now, Ishtar, the Queen of Heaven, and she’s interchangeable with Inanna. Inanna, by the way, is both the lover and also the mother of Tammuz, the strange biological creature, the goat man depicted in your text. Anyhow, I’m going to lay that in your hands for this moment; you don’t have to think about it too hard. Tammuz is recognized on the Hebrew religious calendar. Tammuz is recognized as the month—it’s a month on the Hebrew religious calendar—as the month that they worshiped the abandoned god. The Ten Commandments were smashed, that they worshiped the golden cow.

Remember the symbolism, golden cow. This is Ishtar, the later version of Inanna, who would also become the moon goddess, Asheroth or Astarte, which is, of course, where you get “Easter” from. Like this giant painted egg from Africa right here in my hand, Easter. They would paint the eggs only around the temples; they would dip the eggs in the blood of the sacrificed human—sacrificed children. Now, Astarte, where the two little owls here would come down and her bird’s wings, she would come down in her, in her egg, and she would do this once a year and be reborn—her Easter egg. Now, it could actually get you thinking: what kind of creatures lay eggs? Well, birds. Birds lay eggs, there’s a bird there. And of course fish, the fish-headed Apkallu back here with fish can lay eggs. And of course, well, reptiles, and snakes can lay eggs. And these are all ancient, whether they love sex magic goddesses—don’t get them wrong, they’ll kill you. They’ll kill you at the temple in a heartbeat like that. But I was saying, the concept of the “Aliens” movies, now what was the idea behind that? You kind of had these biological, yet otherworldly, yet demonic kind of characters, and they had eggs, and the eggs had sort of a—sort of a male organ or a sex organ on them. It would attach the face and to birth itself, to birth its own race—these demonic things. It sort of needed the human race to birth its race within a race. And of course, with Easter, well, the rabbits don’t lay eggs, they breed like rabbits. So whatever this is being represented, births quick after it lays its eggs. Man, where did we get all of this strange symbolism from? Well, what I know is this: and just in the case of Easter, on one end you’ve got the pagan beliefs—and by the way, I like an Easter egg as much as anybody—and on the other hand, you’re celebrating the death and resurrection. I think somehow it got amalgamated into one, the pagan beliefs and the resurrection of Jesus, like two trees. And this happened at the Council of Nicaea, where they got amalgamated together in 325 A.D.

And that’s the Vatican there. Notice I’m wearing all these strange hats that look like fish heads; they’re called miter hats. Look very similar: the priests and sages of ancient Sumeria, Assyria, with the fish head there. Fish lays the eggs; gotta amalgamate things, gotta make everybody happy, Christians and the pagans, all in one. Talk about concepts, artwork, and ideas—they’re generally based on some semblance of reality, perhaps even reality from the ancient world. And your alien, otherworldly stuff, if you will, even described sort of on these rocks—well, I mean, if you’ve got something that just appears and disappears, I guess the question will always become, the first question in fact, where was it when you don’t see it? And of course, if we’re speaking about aliens with this guy right here, in fact, it was one of the first drawings in the world of what we today call a gray alien. This came from Alistair—it’s one of Aleister Crowley, top occultists in the world. Well, it’s right here, is Aleister Crowley’s spirit guide on the screen behind me. And right over here, this is the witch, Eliphas Levi, summoning what they call a wisdom spirit, an ancient Yoda. But do all of these things have something in common, and do they lead us backwards to an ancient serpent, a seed of a serpent? Here’s the Greek goddess Nike back here. You know what I noticed about her? Poor girl, she’s missing her shoes. What otherworldly spirit are they bowing to, and how do they come to that conclusion? Them out of that, on the walls of Egypt, and why does it always have to do with genetics? To take something and make it into something else. And with all these ancient Madonnas and goddesses here, it just wouldn’t be complete without a sprinkle—just at least a little bit, just a little sprinkle, a little bit of Gaga running loose up in there. Kick back and enjoy the film, you’re coming on an unusual ride. Beneath Anshar is Anu, the sky god, son of Anshar, and of course, from Anu we have the whole body of the Anunnaki, the Titans, the Titan sons of Anu, or the biblical sons of Anak.

Do you find it strange that I find all of that, even probably the most popular themes for music, rock and roll, aliens, and even blockbuster movies on this set of seven ancient stones? You find anything weird about that? And we’re also going to hear the Leannoch in this, because when you talk about “the days of Noah,” so it was in the days of Noah, you’re talking about the time period a little before and a little after the flood. In August 19, and Yorio said to me here: “So stand the angels who have connected themselves to the women, and their spirits, pay attention, this, assuming many different forms, are defiling mankind.” That means even to this day, any you rock and roll boys or rap guys run into any ancient sirens, or the spiritual ancient sirens? Who knew it might have happened to you fellas? It’s easier to let them in than to get them out, isn’t it? Don’t worry, I got you on this one. And by the way, for the rest of you, I’m not joking about that; there’s a lot of little spookies boo running around this place. “And shall lead them astray into sacrificing to demons as gods.” Anybody sacrificing this data, demons as gods? Let’s keep going here. “They shall stand to the day of the great judgment,” God’s been talking about this since the beginning of the book, “where they shall be judged and made an end of. And the women also of the angels who went astray became as sirens.

” I bet some of you know what that passage is talking about that are watching this video. “And I, Enoch, alone saw the vision and the end of all things, and no man shall see as I have seen.” It’s going to be a heck of a film, guys; we’ll get there. That spins us right back around through Ham, Cush, Nimrod, and of course the wicked son of Nimrod, Mar-dun, or Marduk if you like. That’s Nimrod, Nimrod down here, that’s his wicked son was Marduk born. No, Marduk seen at the top up here. Here’s his depiction, how he’s commonly seen, this one, the largest gods in all of Babylon. Now we’ll make it full circle and bring some perhaps illumination to characters like Tammuz in our text, where I’d like to draw your attention to at least for this part of the video; it’s right up here. And Jasher 11 states in verse 7: “Notwithstanding this, Nimrod did not return to the Lord.” That’s a real common statement about Nimrod, and he continued in wickedness and teaching wickedness to the sons of men. “And Mar-dun, his son, Nimrod’s son, was worse than his father, and he continued to add to the abominations of his father. Verse 8: And he caused the sons of men to sin, therefore it is said from the wicked, that’s Nimrod, goeth forth wickedness; that is Mar-dun.” Hopping from Jasher over to the stones of the Enuma Elish, where we find Marduk, the now deified—means it’s an actual person, but they’re being personified, in fact, on stone now—as a god. Oh, he, god Marduk, is now teaching mankind on stone a creation account of the world beginning with a snake. Well, the playboy of the Empire, Marduk, he’s always got his little dragon dinosaur with him, Mushu, the legendary dragon pet of the god Marduk.

Now, Marduk not only kept dinosaurs as pets, and he wanted you to know that—now, you find dinosaur drawings pretty well all around the globe, from cave art to well, these right here. This cylinder seal comes from Uruk. To put that in perspective, Uruk is right here, right next to our Nineveh, Babylon, just down from where the boat that saved all mankind landed. In fact, Uruk is one of the cities claimed to have been built by Nimrod, Tower of Babel or ancient Eridu. The ziggurat de verdadu is right there. Whatever the case, in ancient Uruk, you have cylinder seals with dinosaurs. Now, it’s awfully hard for a guy to brag that he’s got pet dinosaurs or pet dragons if he’s never seen one. It’s also hard to draw one if you’ve never seen one, but it’s even harder to brag that you’ve got one if no such thing exists. People, “Answers in Genesis” certainly feel that way. I think that’s a baby brontosaurus right there. Here’s my little guy down here—see, he’s a baby one, he’s a long-neck baby one down there—and he’s got his little food bucket there, which has come in through this chute. The chute right here has delivered his food down into his trough. These are all very simple little workouts, and he’s got his water on the other side. Dragon imagery is not only fairly prevalent following the flood, but there’s only a small handful of what we actually call dinosaurs of all the creatures that Noah brought. Not just in Genesis, but also in the book of Jasher, and be relatively certain that it’s actually covered in the text. Did Noah—he was definitely smart enough to bring the baby ones. You’re behind me on the screen, it’s called the Mid-Oceanic Ridge right here, and it circles the Earth like the seam on a baseball, and it’s actually what divides up your continents. There’s still hot searing water coming out from those vents even to this very day, and the day that broke forth, this would throw mud and sludge all around the entire Earth globally, just like we see the layers of strata globally that are underneath the ground, which are sorted by weights and densities.

And the animals, trapped, entire herds, graveyards of animals trapped inside of that strata, are sorted by ecological systems. On the subject of strata, local-bondine—the end animals buried underneath the ground—local-bondine, we’re going to learn that this, on these rocks right here, that Nimrod-go-bond-a is Nimrod or in Merkur’s top guy. Lugalbanda is Chedorlaomer in your biblical text. We will get you all of them, but Lugalbanda is telling us that he had an Anzu bird egg—that’s what he’s telling us on these very stones right here—and it is an Anzu bird. He’s a giant bird, they could pick up cattle or even men for him, that he believed he could communicate with it. He was an occultic type bird, but he’s literally writing to you about an Anzu bird, just like fossils of giant animals that we find underneath the ground. This behind me, for example, is a giant bald eagle’s head, a pre-flood bald eagle’s head. You need a Garden of Eden-style world for these creatures to even—many of them can’t even breathe today. Here’s a modern bald eagle’s head, here’s an ancient bald eagle’s head, and that’s not to mention the fact that I bet they didn’t tell you this in the university: that’s a modern penguin’s head, not behind it on the screen. These penguins were nearly seven feet tall, and you excavate them, in this case, out of the Peruvian desert. The penguin would be taller than most basketball players and, beyond that, would weigh about 250 pounds. Just think of the gravity of that penguin. And you’re fighting records of dragons all over the place; that’s behind you. It’s called the death pose. It’s so common it has a name for it. The reason the animal’s head is bent backwards like that is because it’s gasping for breath while it’s dying and being buried underneath the ground in graveyards. But 90 percent—in fact, I’m not even being honest with you on that, it’s probably more like 95, 96 percent—of everything you find in that fossil record underneath the ground. And by the way, all these giant animals would have to be immune to evolution, because they’re not getting better, going from little bitty things to great big things. It’s the reverse of that. You’ve got giant, big, bad, bold stuff turning into little bitty rinky-dinky stuff.

And all throughout that fossil record, most of it—let’s call it 95 just for the sake of argument, probably more than that—is marine life, seashells and clams. Seashells and clams, and these guys here, little floor crawlers, they clean the bottom of the ocean pre-flood world. And when you talk about following that fossil record, you’re finding weird stuff, no matter what anybody argues that it is; it’s weird, and it’s all over the place. Weird stuff. This one is a genuine—for reasons I’ll go into later—it appears that people with head binding like this one here were trying to copy things like this one here, and they were doing this all over the place following the flood while talking about dragons like this thing here. We’re buried drowning alive all over the place, globally, but they’re definitely telling you about dragons, giant birds, giant animals, and things that can’t even exist anymore. So, rolling back into our fossil record full of marine life and drowned dragons: today, in universities, they often compare the strata underneath the Earth to tree rings. I would like to point out to all of the universities in the geological community that this, right down underneath the ground, this strata, these aren’t tree rings; that’s actually dirt. In fact, the word “strata” means sedimentary rock laid down by water. But no matter the case, Noah was definitely smart enough to take the baby animals. We have no idea how power-packed the genetics was before that flood, but we can see the evidence of what that was before the flood. And animals tend to speciate, which is different than evolve. For example, you have this instinctive knowledge that an originating set of dogs could never evolve into sea turtles or whales or rhinoceroses or become pine trees, but you do know, even as a child, that one set of dogs could breed—particularly if it had really power-packed genetics—could breed into a lot of breeds of dogs. And in fact, everything on this planet is declining over time; it’s not improving over time, it’s declining over time. Everything from the cells in your skin to the stars in the heaven above, which is exactly the reverse of evolution. And also, I’d like to just take one second to point out that while many in the university communities and the science communities have been awfully critical and insulting to those who believe that this place has any kind of a spiritual origin—and I would argue that many of those universities have mocked not just the Bible, sometimes very vulgarly, as well as most any other ancient text that they didn’t like—but have done an enormous disservice to the very conscious and dimensional nature of this place described in those pages, or the absolute butchering of genetics. I mean, the Bible is actually the Book of Genes-is and is telling you about complete, not just single strands of DNA, the requirement of entire body plans for every cell, every organ, every symbiotic system, all coming together to create a biological majesty, literally birthed into this place from scratch and consciously plugged in, as if by Wi-Fi. And by the way, what is consciousness? What is a thought, an idea? The continuous live stream that’s allowing you to call all of the top shots on the whole biological spacesuit? How does the intangible control the tangible?

Those texts are telling you that you are not only living in a subset of a much larger and far more complex reality, but more than that, that you are already seated somewhere else. You are already seated in heavenly places. What does that passage mean? But no matter the case, you are calling the top shots on the whole machine. Now, you don’t get to pick it from the start, but you do get to decide what you’re going to do with it. In short, you are the ghost in the machine; you’re running the whole puppet show of that whole biological spacesuit while they’re pitching monkey men. So, I would come back to the well, some, myself certainly included, have taken those pages very seriously; in fact, on occasions letter by letter, as it almost reads like a science language in those ancient texts the universities have viciously mocked. They’re smarter, they’re smarter back there, you see, and they’ve also pretty well mocked and ridiculed pretty much all of our ancient historical records to the absolute hilt. I do want to remind you clearly, and not in any kind of mean way, that you guys are pitching this and in no part of me am I upset about it; in fact, the contrary. Many of you that are top speakers may find that from “God in a Nutshell” we’re now sending you birthday cards, greeting cards, Christmas cards. We’re actually thankful, and I will never, on any personal level, if you guys come to me—which many of you have—and argued to the hilt that your very strong belief, a very strong belief, that you come from ancient monkeys breeding, I will never personally argue with you on that. In fact, I might even keep that on the low, fellas. Many of you believe that you come from monkeys breeding, and top of the universities—be very honest with you—I find it very difficult to believe that that’s not true. So we thank you at “God in a Nutshell” for believing that and continuing to believe that; please do. But that boat, Noah’s Ark, which is actually mesmerizing when you look at the scale of it, that boat is the size of a modern-day supertanker, and it’s really also designed to just float up and come back down and protect the things on board. And behind me, through all of these cages on the screen back here, is a recreation of the mesmerizing scope of that boat, and up above these walkways that go here and here and all the way down to the end and all the way to the other end are where they drop in the food. It goes all the way into the troughs for this animal, that animal, and every animal, going all the way down to the end. And here’s the truth about that mammoth boat behind me: the mathematics for it certainly work.

In fact, modern engineers call the design of that boat the most optimal for exactly the job that that boat would have to do. A special thanks to “Answers in Genesis”; their Noah’s Ark exhibit is absolutely mesmerizing. A very special thanks also to Israel, which is where some of the footage in this film is from. With me right now, we’re in Israel, and I’m on the border of three countries, so you’ve got Syria, you have Lebanon, and you have Israel. These three countries come together right at this mountain behind this enormous cave here, Mount Hermon, where the events of Genesis 6 as well as Enoch 6 took place. And that’s Pan’s Cave right there at the base of it, with Pan sitting at the side. It’s right at the base of Mount Hermon, seen in the imagery right there, atop which a stele was found giving honor to the fallen angels that had made entrance right there at the base of that mountain, right down from our Enoch here. Right in the base of that hole where they would do those sacrifices—this is where the elites of the Greeks and the Romans, the aristocrats, would gather in secret or in private in that day to worship. And more than worship, there’s always something historically in history, in all of these empires, about the sacrifice. This is the famous Pan’s Cave. This was an ancient temple where children were sacrificed. The mouth of this cave behind me, cave almost looks like a devil’s mouth back there. Strange, isn’t it, historically speaking? That’s what they want to get together and do. And then so, and it’s also right there the base of that mountain where Jesus pointed at Peter and said, “Get behind me, Satan.” Well, it’s at the base of Mount Hermon where Jesus transfigured before the disciples. He was literally firing a shot at darkness and stating, “Okay, now it’s time to begin.” Special thanks also for some of this research here about the stele on Mount Hermon goes to my friend, Skywatch TV, Derek Gilbert. And Pan, from Pan’s Cave—that’s Pan right there with his little flute—and he’s there to take the children and to deceive them and to enchant them and take them and drown them. Pan is, of course, based on well, Gilgamesh’s friend, Enkidu, seen right here in artwork in an ancient statue. This comes from just outside of Pompeii, a city that was destroyed. It was—these were the kind of statues that they found underneath the volcanic ash of a city destroyed by a volcano in 79 A.D. The next, Pan right there, ravishing a goat. I guess when Gilgamesh had first met Enkidu, he was, well, he was ravaging the temple prostitutes or probably whatever he could get his hands on. Enkidu means “Enki-created”; we’re going to learn some more about Enki. But there is in fact an altar in there for the children at the base of Mount Hermon, inside of Pan’s Cave, and ancient Baal seen right here, with the iron in the center of the word in Hebrew. The man did that; they come and they bring their children. That’s what Baal demands.

So, I guess we know the spirit behind that, correct? Jesus said when he was surrounded with children, he said, “Anyone that would hurt one of these, the little children, it would be better for him in that day if he were never born. It would be better that a millstone”—a millstone is an enormous stone, a millstone, and this is a millstone on the screen right here—”this rock going around in the circles, these were used to… they were used to crush grains.” But in Israel, which is where this one is from, the the millstone would also be used to make olive or to crush olives into olive oil. “That a millstone be tied around his neck and he’d be cast into the sea, the abyss, the abusso.” Here is the scope of the size of this thing on the screen behind me. Noah’s Ark: even if you’re an atheist, you have got to go visit it. And most people wouldn’t think it, but when you actually look at the different animals you need, remember most animals on this planet are sea life—fish and clams, bacteria, amphibians—don’t really need a lot of those for the boat. Here’s the bottom line: is that when you actually look at what you need on that boat and do the math for it, Noah’s Ark is actually way overkill for the job that it needs to do. And that actually plays a role in the story we’re going to tell and walk through in this video. So, it says that the boat landed on the 17th day of the month. That’s the same date that Jesus walked out of the tomb; it was on the 17th of the Nisan calendar. Dates are very important to God, and also numbers. In fact, he’s got an entire book called “Numbers.” And also symbols: God has symbols and the occult has symbols. Choose this day who you serve. But Nisan 17—seven and one, of course, is eight, that’s the number of new beginnings—on the Nisan 17th, and that’s the date on the Hebrew calendar, that’s when the God goes out of his way to tell you that the ark hit ground on the Nisan 17. The day they walked through the Red Sea, that the Red Sea parted and they went through the waters of the Red Sea, they passed through the abyss or death to the other side of death, was on the Nisan 17. And the day Jesus came out of the tomb, the new beginning, was also on the Nisan 17. And this canal here that you’re looking at, I want you to look down this thing—I’m going to walk you along it. This is where the stone was that was rolled away, right through this canal where I’m standing. And as I turn you back around and you can see this puppy how it went both ways, and what you would do is you would have Roman seals. So when the large stone, and they found the stone by the way, but the large rolling stone, when it gets put in place, will block this entrance here—those three things. I wonder if that’s a coincidence.

And the stone that goes right here on this pathway, on both sides of it, you can see where the stone is; this is where the stone was that was rolled away. And I’m going to walk you—they’re just going to walk inside—we’re going to walk right inside this. I’m going to set my camera bag down for you, but we’re going to walk right inside the tomb of Jesus Christ. These three things here, so the resurrection of Jesus happened on Nisan 17th, or seven and one, of course, that’s eight, a new beginning. These are all new beginnings; we’re eight people on Noah’s Ark. This is the—this is the actual tomb, these little rock walls of the tomb of Jesus. That’s what this is that I’m standing inside of. This is where this, right here in front of you, this is where the stone was that was rolled away. But on the Nisan 17, that’s when Jesus came out of the tomb. So three days before that, just like the three crosses, became as a man—God himself became as a man—and laid right over here, right over here in this area where this little fence guy is, where you see—this would have been pitch dark in here, this room for three days. Jesus was 33 years old when he was crucified and came out of that tomb. Is that correct? “And there I saw one who had a head of days, and his head was like white wool.” This is God we’re talking about, “And with him was another,” the same mother that was in this room and walked through this door, “who had the appearance of a man.” Now, if the day that Jesus came out of that tomb was Nisan 17th on the Hebrew calendar, the Hebrew religious calendar, well then Nisan 14th would be three days before that, the Passover—as if a symbol, a foreshadowing for nearly 1,500 years. They did Passover before the crucifixion of Jesus. “And his face was full of grace, like one of the h…”